Tanaka of Cocorico and Kohinata Shie to Divorce. Custody of Two Sons goes to Tanaka.

Here is a translation of a Sponichi article on May 2, 2017, followed by summaries of discussion on the divorce from High Noon TV Viking! on May 3 and Wide na Show (a talk show hosted by Matsumoto) on May 5.

Original article: http://www.sponichi.co.jp/entertainment/news/2017/05/02/kiji/20170502s00041000135000c.html

Archived: https://web.archive.org/web/20170502190307/http://www.sponichi.co.jp/entertainment/news/2017/05/02/kiji/20170502s00041000135000c.html


May 2, 2017

Tanaka Naoki (46 years old) of comedy duo “Cocorico” announced on the 2nd that he obtained a divorce.  A divorce by mutual consent was agreed upon and the divorce papers were already filed.

Tanaka announced by fax, “Apologies for the personal affair, but I, Tanaka Naoki, have divorced Kohinata Shie.  This conclusion was reached after discussing over the matter many times.”

Tanaka will have custody of both children – two sons – but nothing else was made public and there are no plans to hold a press conference.

Tanaka married entertainer Kohinata Shie (37 years old) in June of 2003.  They had their first son a year later in June of 2004 and had a second son in April of 2008.

The full comment:

Apologies for the personal affair, but I, Tanaka Naoki, have divorced Kohinata Shie.  This conclusion was reached after discussing over the matter many times.

From this point on, we won’t be husband and wife, but we plan to uphold our responsibilities as father and mother to children.

My sincerest gratitude to those around us for your support and to colleagues.

Tanaka Naoki

May 2, 2017


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Tanaka from a 2017 drama (Masuyama Chounouryokushi Jimusho).

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Kohinata’s official profile photo.

 

 

 

On the May 3rd episode of High Noon TV Viking! (thank you to Batosai for the link), speculation and discussion:

-Kohinata used to upload content about Tanaka and their children on Twitter but from about 2 years ago, Kohinata stopped uploading content about Tanaka (she continue to Tweet about her children).

-From about 4-6 years ago, the two may have started to become more distant.  Around this time, Kohinata may have been putting more energy into her career.

-In Japan, the father gets parental rights in a divorce in about 10%-20% of all cases.  Some factors are children’s opinion (depending on their age), time that each parent spends with the children, the living environment that a parent can provide.  Additionally, just because there was “an issue with the mother” doesn’t equal “father gets parental rights.”

-Tanaka and his agency made announcements about the divorce but Kohinata has yet to do so.  Then, perhaps Kohinata is the who one had some development in her life that caused the divorce?

From the May 5 episode of Wide na Show (a talk show hosted by Matsumoto) on May 5 (thank you to ErnieYoung for the upload):

-Tanaka told Matsumoto of the divorce before his public announcement.

-Matsumoto says that he doesn’t want to know the details as any married couple surely has their own issues anyway, so he told Tanaka that he doesn’t need to tell him why they divorced.

-Matsumoto says that on Gaki No Tsukai, it seems that at least one of the five is always single. When the other four were married, Matsumoto was still single. When Matsumoto got married, Endo was divorced. After Endo re-married, Tanaka has now divorced. He says that after Tanaka has re-married, perhaps Hamada will finally be abandoned by his wife.

-Matsumoto says that he hopes divorces by comedians can be treated less gloomily. The fact is that they wanted to divorce and they got a divorce. Loosely translated, “Compared to people who want to divorce but don’t or compared to the past, it’s better. People say they feel sorry for the kids, but that’s for the kids to decide. I’m sure the kids will have many happy times in their lives after this. It’s none of people’s business whether they think the kids will be happy or not after this. So I hope that divorces by comedians can be treated, not exactly like in a ‘more fun’ way, but less gloomily. After all, for a comedian, a divorce is like a funny joke. I don’t really know if it’s the marriage or it’s the divorce that’s the funny joke, but… And in Tanaka’s case, his joke is falling flat a bit here.” The studio laughs at Matsumoto’s comparison of a comedian failing to get laughs from his joke and a comedian’s gloomy divorce.

-In the past, parental rights almost always went to the mother, but recently, there are more cases where it went to the father. But if the father, like Tanaka, is very busy with work, it remains a question who takes care of the children. There are cases where the father has parental (guardian of asset) rights but the mother has childcare (custody) rights. But rumors are that Kohinata is the one who physically moved out of the home.

[Edit: Here is a link to a later post on a Gaki No Tsukai episode where they mention Tanaka’s divorce for the first time and here is a link to another later post on an episode where they feature his life after the divorce.]

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Milky Bound for Adulthood, Finale

Last episode of Milky, Bound for Adulthood!

Check out what Watanabe Miyuki has to say about the 1 year she spent with ModelPress, about the time she was with NMB, and her future goals. Additionally, she will reveal some of her insights about the world and about herself.

Thank you to convenience93, who provided the translation for this video.  Check out the full interview text at her blog: http://convenience93.tumblr.com/

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Gaki No Tsukai #1320 (2016.09.04) – Look Sharp and Hold It! The 30-Minute Endurance Drive, subbed

Thank you to Veliem for typesetting!

The “Do Not Laugh” tradition evolves to the next step, “Look Sharp and Hold It!”  Thankfully, it’s a video where we don’t need to upscale it to maintain the resolution of the subs.  That’s because as of this post going to press, this is the latest Gaki episode aired to date.

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Hiyashi Chuka is On the Menu Now by AMEMIYA, Subbed (appeared on Gaki No Tsukai’s New Year’s Eve No Laughing Airport Batsu Game of 2011)

Thank you to Veliem for typesetting!

This is a music video (4 minutes long) we subbed.  There are special karaoke subs for the Japanese lyrics and the English translation of the lyrics attempts to rhyme.  A short but “intense” (in terms of the work per video length) project from us.  Since the translation attempts to rhyme, it’s a much more idiomatic (as opposed to literal) translation.

You might recognize AMEMIYA from appearing in Gaki No Tsukai’s New Year’s Eve No Laughing Airport Batsu Game of 2011.  This is the music video of his original song that got him famous and onto various TV shows.  He also appeared on Gaki in episode 1040 (January 30, 2011) with this song and has had a bunch of appearances on HEY! HEY! HEY! MUSIC CHAMP.

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Ougon Densetsu, 2011-11-24, Michishige Sayumi (Morning Musume) vs. Akiyama Ryuji (Robert): Live on 10,000 Yen for 1 Month Challenge, Episode 2/5, Subbed

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Ougon Densetsu is a show hosted by Cocorico (Endo Shozo and Tanaka Naoki).  Michishige Sayumi of Morning Musume and Akiyama Ryuji of Robert continue to battle each other in the second episode of their “Live on 10,000 Yen for 1 Month Challenge.”  (For all episodes of Ougon Densetsu that we’ve subbed, check here.)

Ougon Densetsu, 2011-11-24, Michishige Sayumi (Morning Musume) vs. Akiyama Ryuji (Robert): Live on 10,000 Yen for 1 Month Challenge, Episode 2/5, Subbed

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(Subbing the later episodes is planned but when they’ll be complete is undetermined.)

Oedo Onsen Monogatari ep9

Kuramochi Asuka and Shimada Haruka go on a mission to find the source of liveliness at Japan’s onsen. With Shimada as the guide, they will fly around the facility, have a grand feast, talk about their first impressions of each other and get their fortunes read.

-Veliem

Typesetter: Veliem
Translator: Veliem
QC: Yonsei, Conjyak
Encoder: Yusei

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Oedo Onsen Monogatari ep2

Kitahara Rie and Nagao Mariya go on a mission to find the source of liveliness at Japan’s onsen. During this time, they talk about their lives and feelings, relax, eat, and play games. Watch these 2 girls to get an insight into the life and mind of idols.

-Veliem

Typesetter: Veliem
Translator: Veliem
QC: Yonsei, Conjyak

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Gaki No Tsukai #0512 (2000.05.14) – Operation Tail Endo, Subbed

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Endo has been acting strange lately, so the other four tail him after he leaves the studio.  There was a reason Matsumoto was worried about doing this at all.

The second half is Downtown’s “free talk” manzai.  There’s a tiny scene at the end showing the aftermath of Endo.

 

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majide2ch.blogspot.com, Utada Hikaru, Hamada Masatoshi, and other J-pop divas

majide2ch.blogspot.com is unfortunately not active, but it’s an amazing site.  It translated excerpts from 2channel, which is a Japanese textboard, or message board, or forum, whatever you call that.  It’s probably something between Reddit and 4chan in terms of the conversations and content that comes out (4chan was inspired by Futaba Channel, which was inspired by 2channel.  Wikipedia, archived.).  What I find amazing about majide2ch.blogspot.com is that it is an accurate and faithful translation of the raw comments of Japanese netizens.  If you think about how indecipherable internet slang – like 4chan slang and greentext – is to the common English speaker, think about translating internet slang of another language (from no less than the origin of 4chan-style internet forums) to the common English speaker.  That’s what majide2ch.blogspot.com did and it has a pretty huge catalogue, too.

The previous subs posted here, Wide Na Show, 20140121, (Matsumoto Hitoshi, Fujimoto Miki, Takeda Tetsuya), has a segment mentioning Utada Hikaru.  I remember a while back reading some hilarious and entertaining posts on majide2ch about Utada Hikaru, which I just wanted to share here.

One topic also concerns a controversy that Hamada Masatoshi of Downtown caused, which I will describe here: On Downtown’s music program Hey! Hey! Hey! Music Champ, Hamada commented that new singer Kuraki Mai was a rip-off of Utada (video here).  Kuraki’s agency complained vehemently and there were even reports that right-wing groups had begun to protest and make trouble around Fuji TV, the network that broadcasted the Hey! Hey! Hey! program (source and archive).  Hamada and Utada apologized for their statements and made up with Kuraki, and the right-wing protests also stopped.  An article (here and archive) claims that a mafia connection helped calm things down – a mob friend of Shimada Shinsuke, a comedian who is Hamada’s senior at the Yoshimoto agency, talked with and convinced the right-wing groups to stop their activities directed at Fuji TV and Hamada (the Japanese mafia, aka yakuza, are known at times to have a working relationship with right-wing groups).  Shimada Shinsuke was recently forced to retire from show business when his connections with the mafia came to the public light.  And if the story is true, it also means that Kuraki’s agency has right-wing connections that it uses to intimidate others if need be.

(Note that the following are raw and unfiltered opinions of netizens (well, except they were filtered by the majide2ch translators), so obviously they’re going to tend towards the hilarious and entertaining but also controversial and inflammatory.  Also, don’t be stupid enough to think that the majority of Japanese people think of something one way because you saw a translation of a 2channel post on the internet, unless you’re stupid enough to read 4chan posts and think that the majority of Americans think of something that way.  But there still is value there because while not the majority, it shows that there is at least a non-zero number of people who think the way a post is written.  If nothing, at least it can be entertaining.)

I’ve excerpted some of the comments that I find noteworthy, but you should definitely check out the original posts.  Internet treasure, IMO.

 

How amazing was Hikaru Utada during her peak? (June 29, 2013)

Archived

“7 million albums sold, that seems unthinkable in this day and age”

“She used to have a mustache”

“It was said that she won’t do TV appearances, so it was a huge shock when she appeared on HEY! HEY! HEY!” (referring to Downtown’s former music program.)

“Even a Utada knock-off was able to sell 1 million albums” (referring to Kuraki Mai)

“She thought she’d be a success in the US but flopped and dropped her stock big time.
It would have been much better if she just kept on making the Japanese people think that she could make it big there.”

“Her decline began when she started going out with this guy” (referring to her first husband)

“It’s like how we cannot forget about Hibari Misora, Yumi Matsutoya, and Miyuki Nakajima. Hikaru Utada will also remain in our minds forever.”

“She came right before the Internet exploded.
She might be the last artist who was widely celebrated on TV. ”

“She’s singing the songs that she composed!
She’s on a different level from Seiko Matsuda, Akina Nakamori, Hamasaki, and Amuro.”

“When you talk about 1997~1998, that was the concentration of the Komuro Boom and also when rock music took the front lines with the likes of Glay, L’Arc and B’z.
Then someone suddenly appeared out of nowhere bringing in her R&B. FM radio and Usen pushed for her, and since she didn’t appear on TV, everyone bought her CDs.”

 

Ayumi Hamasaki’s peak vs. Kumi Koda’s peak (March 14, 2014)

Archived

“They’re both washed-up, but who was more amazing in her peak?
If it’s the length of their peak, then I think it’s Ayumi Hamasaki’s victory, no contest.”

“If you’re talking about the peak, then it’s got to be Ayumi Hamasaki right?
But they’re both relics of the past”

“Hamasaki felt like she got hidden behind Utada’s shadows, rather, there was this very strong image that she always lost to Utada so I feel like Koda was the one who stood at the top”

“Without any sort of bias, Ayumi Hamasaki’s upsurge was far greater than Kumi Koda’s. When you compare Hamasaki to Hikaru Utada, then yes, her CD sales might have been inferior, but I think Ayumi Hamasaki was quite a phenomenon herself.
They used to say nothing but “Ayu this, Ayu that” during the morning showbiz news reports everyday back then.”

“Social phenomenon degree
Namie Amuro >>>>>>> Ayumi Hamasaki >>> Kumi Koda”

“Amuro, rather, the Komuro boom really was amazing… at that time”

“If it’s about vulgarity, they’re pretty much the same, but if it’s foul-mouthedness, it’s definitely Koda.
If you’re talking about bad personalities, then Hamasaki without question.”

“Utada is a true-blue artist of the music industry. Her fashion sense and her looks were almost never talked about.
Compared to this, Hamasaki and Koda are stereotypical celebrities. Their fashion and visuals were undoubtedly looked at, because that was their selling point.”

 

Hikaru Utada to get married to an Italian (February 4, 2014)

Archived

“Huh, wait, I’m not Italian?”

“If she wants to protect the privacy, then don’t marry a regular person. Of course people will chase after the guy.”

“So she’s even going up against Hamasaki when it comes to getting remarried? w” (referring to Hamasaki Ayumi marrying a foreigner as well).

“She and Hamasaki are destined to be eternal rivals”

“I didn’t even know that she got divorced”

“Ehhh— She was supposed to marry me!”

“Honestly, all I can say is I’m disappointed.
I always thought that I would be the one to marry Hikaru Utada and her fortune since she’s a divorcee and that no one wants to take her anymore…”

 

Mai Kuraki and Hikaru Utada, who was more popular? (June 22, 2014)

Archived

“I heard that it was pretty much split even between the 2 of them around the year 2000”

“Utada, with a ratio of 8:2”

“It was Hikaru Utada, and it’s not even worth debating”

“Kuraki was also popular among the idol wotas”

“It’s not like Mai Kuraki wasn’t popular. It’s just that Hikaru Utada was too amazing.”

“That era was like the culmination of the girls’ R&B boom which began in 1996. Singers like JUJU and Thelma Aoyama still came out after 2005, but the boom completely vanished around this time thanks to the mass influx of AKB.”

“I like Kuraki too, but it’s not right to compare her to Utada who was a social phenomenon”

“But Kuraki was just an Utada rip-off”

“Hama-chan said that which became an issue, right?” (referring to Hamada Masatoshi of Downtown.)

“It felt like Downtown became more subdued around the time they apologized to Kuraki”

“Kuraki just doesn’t stand a chance, both in sales and ability. She was bad at singing, and her voice was so small, she shouldn’t have been a singer in the first place. If you want to compare someone to Utada, it should be Hamasaki.”

“Is Kuraki still active in the business? I haven’t been hearing much of her. Utada’s going astray now as she just got married to this Italian guy.”

“If only Hamata kept silent about it, then the genius would have never gotten involved with the commoner” (Hamata is a derogatory nickname for Hamada.  Mata = crotch.)

“Kuraki was considered like pus in this industry thanks to the Hamada fracas”

“And compared to these 2, you can not help but be amazed at how stable Amuro has been. People thought that she’d disappear along with the end of the Komuro boom, but she actually proved her worth much more when she was separated from Komuro. Even if she’s from Avex too, it just goes to show that Hamasaki and Koda were nothing more than mere fads.”

“Japan was split into pro-Kuraki and pro-Utada and was englufed in a huge flaming war.
Then it all exploded because of Hama-chan’s comment and caused quite a huge uproar. It was something unimaginable from the current Japanese society where interest and concern have been segmented from each other.”

 

 

 

 

Wide Na Show, 20140121, (Matsumoto Hitoshi, Fujimoto Miki, Takeda Tetsuya), subbed

Thank you to Veliem for typesetting!

Wide Na Show is a talk show led by Matsumoto Hitoshi of Downtown and MCed by Higashino Koji.  They cover topics from the Japanese entertainment industry and current events.  Guests on this episode are ex-Morning Musume Fujimoto Miki and actor Takeda Tetsuya (of Kinpachi Sensei).  Topics they cover in this episode are paparazzi (starting with news about Utada Hikaru) and the privacy of entertainers’ lives (touching upon Matsumoto and Fujimoto’s previous experiences), lip-syncing, and a question Matsumoto had about Kinpachi Sensei.

 

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